The name Andreas Bertilsson didn\'t set off any alarm bells here right away, but it turned out I know pretty much everything of his music. Before he was active under the name of Son Of Clay and as such produced three Cds. For whatever reason his fourth Cd is now released under his own name, and the work was started in 2005 \"with the objective of describing society and the present while still trying to anchor it to something timeless and continuous that could be linked to any one period in time\". Too this end he made a list of events to record and went to a small house in the Swedish country side to finish it. But the house seemed haunted, with doors slamming, voices from ghosts and footsteps. It seemed to be a cursed album. In Malmoe, where he lives, he finished the album with no problem. Three tracks are to be found here, in total thirty minutes, of a strange but fascinating mixture of highly processed field recordings, including the aforementioned doors slamming, but also an acoustic bass and the result is far from being the usual careful glitch/microsound, as at times Bertilsson knows how to rock and things happen in a full blast. Of course the story about the haunted house is one that I have a hard time believing, but surely there is something frightening over this music. Some danger lurking around the corner, especially in the final track, when thing rock out, and the listener is still waiting something worse to happen. Maybe it\'s the title, but it\'s all quite cinematographic .
